Hitchcock Chronology: 1930
Overview
Month by Month
January
February
- 8th - Elstree Calling is screened publicly for the first time at the Alhambra cinema in London. Newspapers report it as setting a new record for the shortest "production to public screening" time of under two months.[1][2]
March
- Principal photography starts on Murder!, starring Herbert Marshall, Norah Baring and Edward Chapman. At the same time, the sets are re-used to film a German version titled Mary.[3]
April
May
June
July
August
- 6th - Hitchcock is one of 300 guests attending a luncheon ceremony to honour pilot Amy Johnson at the Savoy Hotel, London. The Hon. Esmond Harmsworth presents Miss Johnson with a cheque for £10,000. The other attendees from the world of British cinema are listed as Brian Aherne, Noel Coward, Annie Croft, Gwenn ffrangeon-Davis, Maurice Evans, Jean Forbes-Robertson, Nancy Heath, W.H. Heath, Lupino Lane, Charles Laughton, Frank Lawton, Auriol Lee, Alison Leggett, Ivor Novello, Mabel Poulton and Glen Byam Shaw.[5]
September
- Hitchcock meets playwright John Galsworthy to discuss a film adaptation of his book The Skin Game.[6]
October
- A British International Pictures press release of upcoming productions names Hitchcock as the director of The Man at Six.[7]
November
- Principal photography begins on The Skin Game, starring Edmund Gwenn, Helen Haye, C V France and Jill Esmond.[8]
December
See Also...
- articles from 1930
- births in 1930
- deaths in 1930
Notes & References
- ↑ Dundee Evening Telegraph (07/Feb/1930) - British Talkie Revue Made in Record Time
- ↑ Derby Daily Telegraph (07/Feb/1930) - Film Production Record
- ↑ Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, page 136
- ↑ Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, page 137
- ↑ Hull Daily Mail (06/Aug/1930).
- ↑ Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, page 139
- ↑ As reported in the Perth Western Mail
- ↑ Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, page 140
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