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Hitchcock Chronology: Month of August

Entries in the Hitchcock Chronology for the month of August...

1890

1924

  • 18th - The Times reviews The Passionate Adventure and says the film contains "pleasant and exciting moments, and much of the acting is unusually good."[1]

1925

1927

1928

1929

  • British International Pictures annouces massive layoffs, firing around 20% of the staff. Although the company is profitable, John Maxwell is concerned that too few British cinemas have equiped themselves for sound movies, which risks the company's future profits.[7]

1930

  • 6th - Hitchcock is one of 300 guests attending a luncheon ceremony to honour pilot Amy Johnson at the Savoy Hotel, London. The Hon. Esmond Harmsworth presents Miss Johnson with a cheque for £10,000. The other attendees from the world of British cinema are listed as Brian Aherne, Noel Coward, Annie Croft, Gwenn ffrangeon-Davis, Maurice Evans, Jean Forbes-Robertson, Nancy Heath, W.H. Heath, Lupino Lane, Charles Laughton, Frank Lawton, Auriol Lee, Alison Leggett, Ivor Novello, Mabel Poulton and Glen Byam Shaw.[8]

1931

1932

1934

1935

  • 6th - The Yorkshire Post reports that Hitchcock will be one of the speakers at fortnight-long film summer school in Scarborough, North Yorkshire, organised by the Educational Handwork Association. Other speakers include British documentary film maker Mary Field and the theme of the event is to explore the use of film within education.[12][13]

1937

1940

  • Hitchcock purchases the 200 acre "Heart o' the Mountains" estate in Scotts Valley, California and this becomes the family's second home and weekend retreat.[17]
  • Hitchcock commences filming on Mr and Mrs Smith for RKO, starring Carole Lombard and Robert Montgomery.[18]
  • 27th - Foreign Correspondent is given a preview screening at the Four Star Theater in Los Angeles with a limited number of seats available to the public.[19]
  • British producer Michael Balcon is quoted in British and American newspapers denouncing the "famous directors" of Britain who have elected to hide out the war in Hollywood. Although not mentioning him by name, his reference to a certain "plump young junior technician" is deeply hurtful to Hitchcock.[20]

1941

  • Hitchcock travels to New York to meet Sidney Bernstein and Victor Saville and to discuss to the possibility of making a short film for the British Ministry of Information (MoI). Hitchcock would eventually direct Bon Voyage and Aventure Malgache, as well as contributing to Men of the Lightship and Target for Tonight. The three then return to Hollywood to try and persuade studio executives to allow MoI shorts to be shown prior to their main features in the theatres.[21][22]
  • 20th - Having earlier persuaded David O. Selznick to allow him to base his next film on an original story, Hitchcock submits a 134-page manuscript titled "Untitled Original Treatment by Alfred Hitchcock and Joan Harrison". The story involves an act of sabotage at an airplane factory, a cross-country chase, an explosion at a newly opened dam, and a villain falling from the Statue of Liberty. After further development on the screenplay, Selznick decides to let Hitchcock make the film for another studio and a deal is struck with Universal.[23]

1942

1943

1944

1946

  • Having returned from London and France, Hitchcock continues work on The Paradine Case screenplay.[32]
  • Notorious opens to positive reviews.[33]
  • 17th - According to newspaper reports, Hitchcock was one of many Hollywood notables dining at Lucy's on Melrose Avenue, Los Angeles, when two armed men entered and beat up former convinct James Utley who was seated in the restaurant.[34]

1949

1950

  • Hitchcock begins regular script meetings for Strangers on a Train with Raymond Chandler at the novelist's house in La Jolla in early August. The meetings become increasingly awkward, party due to Chandler's alcoholism. When Chandler breaks into a drunk rant about the script, Hitchcock walks out telling his associate producer Barbara Keon that "he's through" and begins looking for a replacement writer.[36]
  • 11th - Alma Reville swears American citizenship.[37]
  • Although the film's script isn't completed, Hitchcock shoots second-unit footage for Strangers on a Train at Forest Hills, New York City, including Davis Cup sequences.[38]
  • 30th - Hitchcock returns to Los Angeles after filming is completed at Forest Hills.[39]

1951

1952

  • 21st - I Confess principal photography begins in Quebec. Hitchcock hires Barbara Keon to work on several of the film's more difficult scenes.[40]

1954

  • 3rd - John Michael Hayes' latest version of the The Trouble With Harry script is submitted to the Production Code Administration office. Joe Breen of the PCA responds two days later with concerns about the line "Do you realize you'll be the first man to cross her threshold?", implications that Arnie is illegitimate, and discussions about Jennifer's wedding night.[41]
  • 4th - Rear Window is premiered in New York City at the Rivoli Theater.[42]
  • The To Catch a Thief masquerade ball scene is filmed during the second week of August. During filming the dangerous rooftop scenes, actress Brigitte Auber is concerned she might accidentally fall and kill herself — when she then spies four Catholic priests who were visiting the set, she jokes, "Mon Dieu! You Americans think of everything!"[43][44]
  • 12th - Rear Window receives its Los Angeles premiere at the Paramount Hollywood Theater.[45]
  • 13th - Filming on To Catch a Thief is temporarily halted to celebrate Hitchcock's birthday. Costume designer Oleg Cassini later recalled that Hitchcock's secretary announced, "Could I have your attention for a moment please? Would you all come into the other room, please, and have a piece of Mr. Hitchcake's cock!"[46]
  • 16th - Rear Window receives it's Los Angeles premiere.[47]
  • Paramount Pictures approves a $1,000,000 budget for The Trouble with Harry.[48]
  • Hitchcock dispatches Herbert Coleman to New York to look for a suitable lead actress for The Trouble with Harry, where he watches Shirley MacLaine standing in for Carol Haney in musical The Pajama Game. The following day, Coleman arranges a screen test for MacLaine.[49]
  • 30th - After considering several options for To Catch a Thief's final scene with Hitchcock, John Michael Hayes submits the ending used in the film and it becomes one of the final scenes to be filmed.[50]

1956

1957

1958

1959

1960

1961

  • 18th - In the early hours of the morning, residents of Santa Cruz are awoken by the sounds of a large sooty shearwater flock flying into their homes, disoriented by a heavy sea fog. The front page of the Santa Cruz Sentinel newspaper reports "Seabird Invasion Hits Coastal Town". Hitchcock contacts the newspaper and requests more details, eager to incorporate them into The Birds.[56][57][58]

1962

1963

1964

1966

1967

1968

  • 2nd - Hitchcock arrives in Helsinki to scout for locations for his next project The Short Night. Over the next couple of days he visits Hämeenlinna, Aulanko and Vainikkala railway station, as well as giving interviews to the Finnish press.[69]
  • 5th - Hitchcock leaves Finland and travels to Denmark to shoot location footage for Topaz.[69]
  • Hitchcock returns to Los Angeles to finalise pre-production on Topaz.[70]

1969

  • Whilst vacationing at the Villa d'Este on Lake Como in Italy, Hitchcock telephones editor William H. Ziegler with the decision that the Orly Airport sequence should be used for the ending of Topaz.[70]

1971

  • 2nd - The second week of filming on Frenzy begins with shooting the film's opening sequence — the 2 minute helicopter shot of the River Thames followed by the politician's speech, which was filmed at London County Hall. Much of the sequence was subsequently reshot after Hitchcock watched the dailies.[71]
  • 3rd - Attempts to reshoot the opening sequence of Frenzy are abandoned due to heavy rain. Instead, the crew returns to Pinewood and shoots "weather cover"[72] studio based scenes of Chief Inspector Oxford discussing the case with his wife.[73]
  • 4th - The scene of Blaney telephoning Babs is filmed in Soho Square using a prop telephone box.[74]
  • 7th-8th - As Hitchcock is only able to film scenes at the Old Bailey at weekends, Richard Blaney's trail is rehearsed on the 7th and shot on the 8th.[75]
  • 9th-13th - The 3rd week of filming on Frenzy includes reshoots of the opening helicopter sequence, dialogue scenes between Chief Inspector Oxford and his wife, introductory scenes of Richard Blaney, and various pub scenes set in The Globe.[76]
  • 14th - The Hitchcocks celebrate their 72nd birthdays with an evening meal at the Carriers Inn Restaurant in Cheshire.[77][78]
  • 16th-20th - The 4th week of filming on Frenzy is centered around shooting Jon Finch's scenes, including the two pub scenes (The Globe and Nell of Old Drury) and his escape from the prison hospital ward.[79]
  • 23rd-27th - The 5th week of filming on Frenzy includes shooting the film's ending, along with various retakes of previously filmed scenes. On-set tensions rise between Hitchcock and Jon Finch. The shooting schedule also includes alternative takes for the television print of the film — for example, the final murder victim is filmed with breasts exposed for the theatrical release and then covered for the television print.[80]
  • 28th - A Monday bank holiday means that the following week is a 4 day shoot, so the Hitchcocks spend a long weekend holidaying in Scotland.[81]
  • 31st-3rd Sep - The 6th week of filming on Frenzy includes various pick up shots and an alternative ending which wasn't used — after arresting Rush, Blaney is invited to dine with Chief Inspector Oxford and his wife. Scenes filmed towards the end of the week include Blaney visiting his wife at her matrimonial agency.[80]

1972

  • 18th - Hitchcock is interviewed during the AFI's Center for Advanced Film Studies' University Advisory Committee Seminar. When asked what he likes to do to cinema audiences, he responds, "Give them pleasure, the same pleasure they have when they wake up from a nightmare."[82]

1973

  • A minor heart scare sees Hitchcock confined to bed.[83]

1974

1976

  • 20th - Actress Phyllis Konstam, who appeared in four of Hitchcock's early films, dies of a heart attack, aged 69.

1994

1998

  • 3rd - The United States Postal Service releases a 32 cent stamp featuring Hitchcock as part of their "Legends of Hollywood" series. The design had been unveiled by Janet Leigh in October 1997.[86]

1999

2005

2006

2007

2011

2012

2013

References

  1. The Times (18/Aug/1924) - The Film World
  2. Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, page 70
  3. Source: passenger list.
  4. Source: ancestry.co.uk
  5. Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, page 96
  6. Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, page 106
  7. Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, page 126
  8. Hull Daily Mail (06/Aug/1930).
  9. Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, page 145
  10. The Times (11/Aug/1932) - New British films
  11. The Dark Side of Genius: The Life of Alfred Hitchcock (1983) by Donald Spoto, page 142
  12. Yorkshire Post (06/Aug/1935)
  13. IMDB: Mary Field
  14. See passenger list.
  15. Source: Radio Daily (27/Aug/1937)
  16. Variety (01/Aug/1937).
  17. "Alfred Hitchcock found contentment in SV" by Marion Dale Pokriots (Scotts Valley Historical Society)
  18. Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, page 276
  19. "Preview Set at Four Star" in Los Angeles Times (27/Aug/1940)
  20. Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, pages 272-4
  21. Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, page 294
  22. Variety (1941) - Chatter: Hollywood (Aug 27th)
  23. American Cinematographer (1993) - Saboteur: Hitchcock Set Free
  24. Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, page 325
  25. Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, page 338
  26. Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, page 346
  27. Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, page 367.
  28. Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, page 361.
  29. Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, pages 361-63.
  30. Spoto gives different dates, claiming Dalí arrived in Hollywood in September and the sequences were filmed in October.
  31. The Dark Side of Genius: The Life of Alfred Hitchcock (1983) by Donald Spoto, page 276
  32. The Dark Side of Genius: The Life of Alfred Hitchcock (1983) by Donald Spoto, page 297
  33. The Dark Side of Genius: The Life of Alfred Hitchcock (1983) by Donald Spoto, page 299
  34. See, for example, the San Antonio Light (18/Aug/1946).
  35. Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, page 437
  36. Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, page 445
  37. Alma signed her name as Alma Lucy Reville Hitchcock.
  38. Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, page 446
  39. "Sol Lesser Tells Plans for Quartet of Films, Buys 'Black Chiffon'" in Los Angeles Times (31/Aug/1950)
  40. The Dark Side of Genius: The Life of Alfred Hitchcock (1983) by Donald Spoto, pages 338
  41. Writing with Hitchcock (2001) by Steven DeRosa, page 135
  42. Writing with Hitchcock (2001) by Steven DeRosa, page 51
  43. The Dark Side of Genius: The Life of Alfred Hitchcock (1983) by Donald Spoto, page 352
  44. Writing with Hitchcock (2001) by Steven DeRosa, 117-18
  45. Writing with Hitchcock (2001) by Steven DeRosa, page 118
  46. Writing with Hitchcock (2001) by Steven DeRosa, page 118
  47. American Cinematographer (1990) - Hitchcock's Techniques Tell Rear Window Story
  48. The Dark Side of Genius: The Life of Alfred Hitchcock (1983) by Donald Spoto, page 354
  49. The Dark Side of Genius: The Life of Alfred Hitchcock (1983) by Donald Spoto, page 354
  50. Writing with Hitchcock (2001) by Steven DeRosa, pages 119-21
  51. The Dark Side of Genius: The Life of Alfred Hitchcock (1983) by Donald Spoto, page 382
  52. Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, page 553
  53. The Dark Side of Genius: The Life of Alfred Hitchcock (1983) by Donald Spoto, page 391
  54. The Dark Side of Genius: The Life of Alfred Hitchcock (1983) by Donald Spoto, page 406
  55. The Dark Side of Genius: The Life of Alfred Hitchcock (1983) by Donald Spoto, page 415
  56. The Making of Hitchcock's The Birds (2013) by Tony Lee Moral, page 29
  57. Santa Cruz Sentinel (18/Aug/1961) - Seabird Invasion Hits Coastal Homes
  58. Santa Cruz Sentinel (21/Aug/1961) - Alfred Hitchcock Using Sentinel's Seabird Story
  59. The Making of Hitchcock's The Birds (2013) by Tony Lee Moral, pages 168-69
  60. 60.0 60.1 Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, page 633
  61. Radio-Television Daily (17/Aug/1962)
  62. Hitchcock and the Making of Marnie (2005) by Tony Lee Moral, page 207. Moral gives the date as the 26th, but this would clash with the dates Moral gives for Robertson being in Europe in his book on "The Birds".
  63. Hitchcock and the Making of Marnie (2013) by Tony Lee Moral, page 207
  64. The Making of Hitchcock's The Birds (2013) by Tony Lee Moral, page 200
  65. Hitchcock and the Making of Marnie (2013) by Tony Lee Moral, page 208
  66. The Making of Hitchcock's The Birds (2013) by Tony Lee Moral, page 201
  67. Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, page 653
  68. Late Night Line-Up (BBC2, 03/Aug/1966)
  69. 69.0 69.1 Helsingin Sanomat (2007) - A Hitchcock thriller that never was
  70. 70.0 70.1 Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, chapter 17
  71. Alfred Hitchcock's Frenzy: The Last Masterpiece (2012) by Raymond Foery, page 54
  72. When location filming might be affected by the weather, alternate studio based scenes are usually scheduled as a backup.
  73. Alfred Hitchcock's Frenzy: The Last Masterpiece (2012) by Raymond Foery, pages 54-55
  74. Alfred Hitchcock's London: A Reference Guide to Locations (2009) by Gary Giblin, page 167
  75. Alfred Hitchcock's Frenzy: The Last Masterpiece (2012) by Raymond Foery, page 56
  76. Alfred Hitchcock's Frenzy: The Last Masterpiece (2012) by Raymond Foery, pages 56-59
  77. Alfred Hitchcock's Frenzy: The Last Masterpiece (2012) by Raymond Foery, page 59
  78. Carrier's Inn, est. 1637
  79. Alfred Hitchcock's Frenzy: The Last Masterpiece (2012) by Raymond Foery, page 61
  80. 80.0 80.1 Alfred Hitchcock's Frenzy: The Last Masterpiece (2012) by Raymond Foery, pages 61-62
  81. Alfred Hitchcock's Frenzy: The Last Masterpiece (2012) by Raymond Foery, page 62
  82. Interview: Alfred Hitchcock at the AFI Seminar roundtable (18/Aug/1972)
  83. Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, page 717
  84. Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, page 721
  85. The Encyclopedia of Alfred Hitchcock (2002) by Thomas M. Leitch, page 100
  86. See the stamp design.
  87. The Independent (14/Aug/1999) - Plaque and posters pay homage to Hitch
  88. The Guardian (25/Aug/2013) - Gilbert Taylor obituary
Hitchcock Chronology
1890s 1890 1891 1892 1893 1894 1895 1896 1897 1898 1899
1900s 1900 1901 1902 1903 1904 1905 1906 1907 1908 1909
1910s 1910 1911 1912 1913 1914 1915 1916 1917 1918 1919
1920s 1920 1921 1922 1923 1924 1925 1926 1927 1928 1929
1930s 1930 1931 1932 1933 1934 1935 1936 1937 1938 1939
1940s 1940 1941 1942 1943 1944 1945 1946 1947 1948 1949
1950s 1950 1951 1952 1953 1954 1955 1956 1957 1958 1959
1960s 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969
1970s 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979
1980s 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989
1990s 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999
2000s 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009
2010s 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019
months - - Jan Feb Mar Apr May Jun - -
months - - Jul Aug Sep Oct Nov Dec - -